AD Small Spaces: 5 compact offices that prove limited space is never a constraint

From a playful pastel paradise to a striking teal office, these small spaces feature innovative design solutions and more.
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(L) The Space Tracing Company (R) Yadynesh Joshi

Designing small spaces in an efficient yet aesthetically pleasing style may seem like a daunting task, but not for the designers of these projects. In this collection of compact offices taken from the AD archives, the designers put their best foot forward to showcase unique design styles and maximise the functionality of a small space.

A Japandi Office In The Heart Of Mumbai

Kuber Shah

“As an architect, I was looking for a style and strong foundation that would define my work—serving as an architectural signature in everything I built,” recalls Tanzeem Sarguroh, when looking back at how she found a way to blend Japandi design within the context of Indian living spaces.

The most striking design of the office is found in the lounge area created against windows that spread across an entire wall. Displaying a low floor table called chabudai and tatami floor mats, the Japanese-style arrangement serves as a space for dining as well as taking a break between work. “We spend a majority of our lives at work, and most offices are either monotonous and uninspiring or colourful yet cold. While I knew this space would take up a large part of our floor plan, I felt it was important to come to work every day to a place that felt warm and welcoming. It’s also my attempt at bringing in a sense of hygge for everyone working here,” she relates.

Original Text by Ela Das; Edited by Khushi Sheth.

A Teal Oasis In Ahmedabad

The Space Tracing Company
The Space Tracing Company

On the 14th floor of a sleek, corporate tower, Techstyle unfolds as an unexpected oasis, where every corner promises both focus and respite. This compact, 600-square-foot Ahmedabad office isn’t tethered to rigid work conventions. Instead, it unravels as an exploration of blurred boundaries—where work, play, and comfort coexist effortlessly. Designed by principal architect Vaissnavi Shukl for a young couple—both lawyers—the teal-washed space weaves a tactile narrative rich with colour and thoughtful transitions.

“The clients were tired of seeing law chambers that were either all black and white or too woody. They desired a space that was bold, bright and infused with colours whilst maintaining the formality of their profession,” explains Shukl. The teal ceiling takes centre stage, a bold feature that ties the small spaces together, weaving disparate elements into a harmonious whole. “Having the umbrella of teal gave us the freedom to be more playful with each element without making the space feel fragmented,” she notes.

Original text by Nadezna Siganporia; Edited by Khushi Sheth.

A Playful Pastel Paradise

Kuber Shah
Kuber Shah

Zara Eisa of Mumbai-based Eisa Associates knew she was staring down the barrel of a fun little challenge when she took on this compact Mumbai office. With only 200-square-feet to work with, the space—acquired a nondescript, dilapidated garage—was to be designed for the marketing team of a rapidly growing children’s eyewear brand, and it also happened to be part of her husband’s family business. “I wanted to leave the predictable, cookie-cutter office aesthetic behind, the goal was to create a space that sparks joy and inspires creativity the moment you step inside,” says Eisa.

Pastel tones form the cornerstone of this design—hence christened Pastel Paradise—bringing energy and vibrancy without overwhelming the space. “A vibrant colour palette became the crux of this design, enabling creativity within a conservative budget. Colour and curves were woven throughout the space,” Eisa says. From the chequered yellow-and-white flooring that guides visitors through the space to the custom ombré wallpaper that lightens walls while adding visual depth, every detail balances form and function.

Original Text by Alisha Lad; Edited by Khushi Sheth.

A Mid-Century Inspired Office In Pune

Yadnyesh Joshi
Yadnyesh Joshi

Being your own client often means being your toughest critic, but for Aditi Kalbhor and Vivek Ondkar of Dream Space Design Studio, a clear vision for their Pune office made the process seamless. Their shared affinity for Mid-Century and English Contemporary styles guided the design of their 232-square-foot studio in Pune. “It’s a fusion of timelessness and modernity. We love how each theme creates a unique spatial experience and evokes distinct emotions. These design elements have always captivated us during our travels and as we experience spaces,” the designers share.

A striking feature of this space is the tall, open shelves with arched tops, which blend traditional English design with modern functionality. Brass accents on the shelves and handles lend an air of sophistication, elevating the overall aesthetic. The design draws inspiration from the English Contemporary style, characterized by traditional elements like arched shelving, intricate mouldings, and the rich texture of wood, all softened by a neutral color palette.

Original Text by Aishwarya Khurana; Edited by Khushi Sheth.

A Warm Terracotta Haven

Yadnyesh Joshi
Yadnyesh Joshi

Great design is more than just aesthetics; it's about crafting spaces that echo the personalities and passions of those who inhabit them. This 550-square-foot Pune office was designed for Varun and Riya Shah, a dynamic couple with diverse professional pursuits—Varun is a developer and Riya, an event manager. To create a shared space that was both functional and clutter-free, the Shahs entrusted the project to Ankur Kothari and Anil Poduval, principal architects and founders of Red Brick Studio.

“Being a dual functioning office, we had to ensure that the look and feel of the office felt in line with both the verticals. The eventual solution thus came about through the combination of the ivory white (for the sophistication of the developer entity) and the terracotta (for the warmth of the event management co),” explains Kothari. The dual toned (contrasting) colour theme further extended to the materials which were chosen for the project.

Original Text by Deepa Nair; Edited by Khushi Sheth.